Tastefully Cliché

"Fallacies do not cease to be fallacies because they become fashions."
- G.K. Chesterton (1874-1936)
cavetocanvas:

Richard Prince, When I Was 15, 1989

cavetocanvas:

Richard Prince, When I Was 15, 1989

likeafieldmouse:

John Singer Sargent - Portrait of William Butler Yeats (1908)

likeafieldmouse:

John Singer Sargent - Portrait of William Butler Yeats (1908)

life:

Caption from LIFE. “One third of a ballet dancer’s time is spent in idle waiting around, two thirds in violent motion. Here a group point their toes, stretch their leg muscles, develop supreme suppleness.”
See more photos here.
(Alfred Eisenstaedt—Time & Life Pictures/Getty Images)

life:

Caption from LIFE. “One third of a ballet dancer’s time is spent in idle waiting around, two thirds in violent motion. Here a group point their toes, stretch their leg muscles, develop supreme suppleness.”

See more photos here.

(Alfred Eisenstaedt—Time & Life Pictures/Getty Images)

(via mtcv)

betonbabe:

WOLFGANG KROLOW

A FACADE WITHOUT A BUILDING, BERLIN KREUZBERG, LATE 1970s/ EARLY 1980s

betonbabe:

WOLFGANG KROLOW

A FACADE WITHOUT A BUILDING, BERLIN KREUZBERG, LATE 1970s/ EARLY 1980s

likeafieldmouse:

Tzu Ting Wang - Lightest Moment (2009)

likeafieldmouse:

Tzu Ting Wang - Lightest Moment (2009)

(via mtcv)

likeafieldmouse:

Tauba Auerbach - Eye Exam (2004)

likeafieldmouse:

Tauba Auerbach - Eye Exam (2004)

arpeggia:

Anish Kapoor - Void, 1989, fiberglass and pigment | More posts

(Source: monstersfuckers, via mtcv)

thegetty:

Greatly influenced by Surrealism, Kansuke Yamamoto made innovative photographs, collages, and poems and was a key figure in the Japanese avant-garde. His work is featured in Japan’s Modern Divide: The Photographs of Hiroshi Hamaya and Kansuke Yamamoto.
Stapled Flesh, 1949, Kansuke Yamamoto. From the Collection of Gloria Katz and Willard Huyck. © Toshio Yamamoto

thegetty:

Greatly influenced by Surrealism, Kansuke Yamamoto made innovative photographs, collages, and poems and was a key figure in the Japanese avant-garde.

His work is featured in Japan’s Modern Divide: The Photographs of Hiroshi Hamaya and Kansuke Yamamoto.

Stapled Flesh, 1949, Kansuke Yamamoto. From the Collection of Gloria Katz and Willard Huyck. © Toshio Yamamoto

(via sfmoma)

sfmoma:

Installation of Mark di Suvero at Crissy Field is well under way! Dog walkers, runners, cyclists, and egrets all seem interested in observing these massive steel sculptures being moved into place.

manpodcast:

This week’s Modern Art Notes Podcast features Los Angeles County Museum of Art curator Britt Salvesen and artist Catherine Opie on the occasion of LACMA’s presentation of three Robert Mapplethorpe portfolios: The ‘X Portfolio,’ which features sadomasochistic imagery; the ‘Y Portfolio’ of floral still-lifes and the ‘Z Portfolio’ of nude portraits African-American men.

These two Mapplethorpes, both titled Pictures/Self Portrait (1977), aren’t in the X, Y or Z Portfolio and thus aren’t in LACMA’s show. They were included in a 2004 exhibition Opie selected from the holdings of the Mapplethorpe Foundation. On this week’s MAN Podcast, Opie and I discussed these two pictures — and both Opie and I and Salvesen discussed whether Mapplethorpe’s experience with Catholicism helped motivate them.

Listen to the program: Download this week’s MAN Podcast or listen in your browser. Subscribe to the program via iTunesSoundCloud or RSS. See more images of artworks discussed on the show.

(via sfmoma)